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Academy Award for Best Sound
The Academy Award for Best Sound Mixing is an Academy Award that recognizes the finest or most euphonic sound mixing or recording, and is generally awarded to the production sound mixers and re-recording mixers of the winning film. Compare this award to the Academy Award for Best Sound Editing. In the lists below, the winner of the award for each year is shown first, followed by the other nominees.
For the second and third year of this category (the 4th Academy Awards, 5th Academy Awards) only the names of the film companies were listed. Paramount Publix Studio Sound Department won both years.
==1930s==
* 1929–1930: ''The Big House'': Douglas Shearer, Metro-Goldwyn-Mayer Studio
*
* ''The Case of Sergeant Grischa'': John Tribby
*
* ''The Love Parade'': Franklin Hansen
*
* ''Raffles'': Oscar Lagerstrom
*
* ''The Song of the Flame'': George Groves
* 1930–1931: Paramount Publix Studio Sound Department
*
* MGM Studio Sound Department
*
* RKO Radio Studio Sound Department
*
* Samuel Goldwyn-United Artists Studio Sound Department
* 1931–1932: Paramount Publix Studio Sound Department
*
* MGM Studio Sound Department
*
* RKO Radio Studio Sound Department
*
* Walt Disney
*
* Warner Bros. First National Studio Sound Department
* 1932–1933: ''A Farewell to Arms'': Franklin Hansen, Paramount Studio
*
* ''42nd Street'': Nathan Levinson
*
* ''Gold Diggers of 1933'': Nathan Levinson
*
* ''I Am a Fugitive from a Chain Gang'': Nathan Levinson
* 1934: ''One Night of Love'': John Livadary, Columbia Studio
*
* ''The Affairs of Cellini'': Thomas T. Moulton
*
* ''Cleopatra'': Franklin B. Hansen
*
* ''Flirtation Walk'': Nathan Levinson
*
* ''The Gay Divorcee'': Carl Dreher
*
* ''Imitation of Life'': Theodore Soderberg
*
* ''Viva Villa!'': Douglas Shearer
*
* ''White Parade'': Edmund H. Hansen
* 1935: ''Naughty Marietta'': Douglas Shearer, Metro-Goldwyn-Mayer Studio
*
* ''1,000 Dollars a Minute'': Republic Studio Sound Department
*
* ''Bride of Frankenstein'': Gilbert Kurland
*
* ''Captain Blood'': Nathan Levinson
*
* ''The Dark Angel'': Thomas T. Moulton
*
* ''I Dream Too Much'': Carl Dreher
*
* ''The Lives of a Bengal Lancer'': Franklin B. Hansen
*
* ''Love Me Forever'': John Livadary
*
* ''Thanks a Million'': E. H. Hansen
* 1936: ''San Francisco'': Douglas Shearer, Metro-Goldwyn-Mayer Studio
*
* ''Banjo on My Knee'': E. H. Hansen
*
* ''The Charge of the Light Brigade'': Nathan Levinson
*
* ''Dodsworth'': Thomas T. Moulton
*
* ''General Spanky'': Elmer Raguse
*
* ''Mr. Deeds Goes to Town'': John Livadary
*
* ''The Texas Rangers'': Franklin B. Hansen
*
* ''That Girl from Paris'': John Aalberg
*
* ''Three Smart Girls'': Homer G. Tasker
* 1937: ''The Hurricane'': Thomas Moulton, United Artists Studio
*
* ''The Girl Said No'': A. E. Kaye
*
* ''Hitting a New High'': John Aalberg
*
* ''In Old Chicago'': E. H. Hansen
*
* ''The Life of Emile Zola'': Nathan Levinson
*
* ''Lost Horizon'': John Livadary
*
* ''Maytime'': Douglas Shearer
*
* ''One Hundred Men and a Girl'': Homer G. Tasker
*
* ''Topper'': Elmer Raguse
*
* ''Wells Fargo'': Loren L. Ryder
* 1938: ''The Cowboy and the Lady'': Thomas Moulton, United Artists Studio
*
* ''Army Girl'': Charles L. Lootens
*
* ''Four Daughters'': Nathan Levinson
*
* ''If I Were King'': Loren L. Ryder
*
* ''Merrily We Live'': Elmer Raguse
*
* ''Suez'': Edmund H. Hansen
*
* ''Sweethearts'': Douglas Shearer
*
* ''That Certain Age'': Bernard B. Brown
*
* ''Vivacious Lady'': John Aalberg
*
* ''You Can't Take It with You'': John Livadary
* 1939: ''When Tomorrow Comes'': Bernard B. Brown, Universal Studio
*
* ''Balalaika'': Douglas Shearer
*
* ''Gone with the Wind'': Thomas T. Moulton
*
* ''Goodbye, Mr. Chips'': A. W. Watkins
*
* ''The Great Victor Herbert'': Loren L. Ryder
*
* ''The Hunchback of Notre Dame'': John Aalberg
*
* ''Man of Conquest'': Charles L. Lootens
*
* ''Mr. Smith Goes to Washington'': John Livadary
*
* ''Of Mice and Men'': Elmer Raguse
*
* ''The Private Lives of Elizabeth and Essex'': Nathan Levinson
*
* ''The Rains Came'': E. H. Hansen
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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